A
great brand is hard to find. Your brain is hardwired to notice only what is
different. "They may be great products, but they're not great
brands."
Whether the product is sneakers, coffee -- or a brand
called You -- building a great brand depends on knowing the right principles.
We asked GBSH top brand experts to identify their eight brand-building
principles.
1.
A GREAT BRAND IS IN IT FOR THE LONG HAUL.
For decades we had great brands based on solid value
propositions -- they'd established their worth in the consumer's mind. Then in
the 1980s and 1990s, a lot of companies sold out their brands. They stopped
building them and started harvesting them. They focused on short-term economic
returns, dressed up the bottom line, and diminished their investment in
longer-term brand-building programs. As a result, there were a lot of products
with very little differentiation. All the consumers saw was who had the lowest
price -- which is not a profitable place for any brand to be.
Then came Marlboro Friday and the Marlboro Man fell off
his horse. Today brands are back stronger than ever. In an age of accelerating product proliferation, enormous customer choice, and growing clutter and clamor in the marketplace, a GREAT BRAND IS A NECESSITY, NOT A
LUXURY. If you take
a long-term approach, a great brand can travel worldwide, transcend cultural
barriers, speak to multiple consumer segments simultaneously, create economies
of scale, and let you operate at the higher end of the positioning spectrum --
where you can earn solid margins over the long term.
2.
A GREAT BRAND CAN BE ANYTHING.
Some categories may lend themselves to branding better
than others, but anything is brandable. Nike, for example, is leveraging the
deep emotional connection that people have with sports and fitness. With
Starbucks, we see how coffee has woven itself into the fabric of people's
lives, and that's our opportunity for emotional leverage. Almost any product
offers an opportunity to create a frame of mind that's unique. Almost any
product can transcend the boundaries of its narrow category.
Intel is a case study in branding. I doubt that most
people who own a computer know what Intel processors do, how they work, or why
they are superior to their competition in any substantive way. All they know is
that they want to own a computer with "Intel inside." As a result,
Andy Grove and his team sit today with a great product and a powerful brand.
3.
A GREAT BRAND KNOWS ITSELF.
Anyone who wants to build a great brand first has to
understand who they are. You don't do this by getting a bunch of executive
schmucks in a room so they can reach some consensus on what they think the
brand means. Because whatever they come up with is probably going to be
inconsistent with the way most consumers perceive the brand. The real starting
point is to go out to consumers and find out what they like or dislike about
the brand and what they associate as the very core of the brand concept.
Now that's a fairly conventional formula -- and it does
have a risk: if you follow that approach all the way, you'll end up with a
narrowly focused brand. To keep a brand alive over the long haul, to keep it
vital, you've got to do something new, something unexpected. It has to be
related to the brand's core position. But every once in a while you have to
strike out in a new direction, surprise the consumer, add a new dimension to the brand, and reenergize it.
Of course, the other side of the coin is true as well: a
great brand that knows itself also uses that knowledge to decide what not to
do. At Starbucks, for instance, they were approached by a very large company
that wanted to partner with them to create coffee liquor. I'm sure Starbucks
could go in and wreak havoc in that category. But they didn't feel it was right
for the brand then. They didn't do a lot of research. They just reached inside
and asked ourselves, "Does this feel right?" It didn't. It wasn't
true to who we they were right then.
4.
A GREAT BRAND INVENTS OR REINVENTS AN ENTIRE CATEGORY.
The common ground that you find among brands like
Disney, Apple, Nike, and Starbucks is that these companies made it an explicit
goal to be the protagonists for each of their entire categories. Disney is the
protagonist for fun family entertainment and family values. Not Touchstone
Pictures, but Disney. Apple wasn't just a protagonist for the computer
revolution. Apple was a protagonist for the individual: anyone could be more
productive, informed, and contemporary.
From our experience with Nike, we can tell you that CEO Mark
Parker is the consummate protagonist for sports and the athlete. That's why
Nike transcends simply building shoes or making apparel. As the protagonist for
sports, Nike has an informed opinion on where sports is going, how athletes
think, how we think about athletes, and how we each think about ourselves as we
aim for a new personal best.
At Starbucks, their greatest opportunity is to become
the protagonist for all that is good about coffee. Go to Ethiopia and you'll
immediately understand that they've got a category that is 900 years old. But
in the United States, they're sitting on a category that's been devoid of any
real innovation for five decades.
A great brand raises the bar -- it adds a greater sense
of purpose to the experience, whether it's the challenge to do your best in
sports and fitness or the affirmation that the cup of coffee you're drinking
really matters.
5.
A GREAT BRAND TAPS INTO EMOTIONS.
It's everyone's goal to have their product be
best-in-class. But product innovation has become the ante you put up just to
play the game: it's table stakes.
The common ground among companies that have built great
brands is not just performance. They recognize that consumers live in an
emotional world. Emotions drive most, if not all, of our decisions. Not many
people sit around and discuss the benefits of encapsulated gas in the mid-sole
of a basketball shoe or the advantages of the dynamic-fit system. They will
talk about Lebron James's winning shot against the Warriors the other night --
and they'll experience the dreams and the aspirations and the awe that go with
that last-second, game-winning shot.
A brand reaches out with that kind of powerful
connecting experience. It's an emotional connection point that transcends the
product. And transcending the product is the brand.
6.
A GREAT BRAND IS A STORY THAT'S NEVER COMPLETELY TOLD.
A brand is a metaphorical story that's evolving all the
time. This connects with something very deep -- a fundamental human
appreciation of mythology. People have always needed to make sense of things at
a higher level. We all want to think that we're a piece of something bigger
than ourselves. Companies that manifest that sensibility in their employees and
consumers invoke something very powerful.
Look at Hewlett-Packard and the HP Way. That's a form of
company mythology. It gives employees a way to understand that they're part of
a larger mission. Every employee who comes to HP feels that he or she is part
of something that's alive. It's a company with a rich history, a dynamic
present, and a bright future.
Levi's has a story that goes all the way back to the
Gold Rush. They have photos of miners wearing their dungarees. And every time
you notice the rivets on a pair of their jeans, at some level it reminds you of
the Levi's story and the rich history of the product and the company.
Ralph Lauren is trying to create history. His products
all create a frame of mind and a persona. You go into his stores and there are
props and stage settings -- a saddle and rope. He's not selling saddles. He's
using the saddle to tell a story. Stories create connections for people.
Stories create the emotional context people need to locate themselves in a
larger experience.
7.
A GREAT BRAND HAS DESIGN CONSISTENCY.
Look at what some of the fashion brands have built --
Ralph Lauren, Calvin Klein and Louis Vuitton, for example. They have a
consistent look and feel and a high level of design integrity. And it's not
only what they do in the design arena; it's what they don't do. They refuse to
follow any fashion trend that doesn't fit their vision. And they're able to
pull it off from one season to the next.
That's just as true for strong brands like Levi's or Gap
or Disney. Most of these companies have a very focused internal design process.
In the case of Nike, between its ad agency Wieden & Kennedy and Nike Design
shop, probably 98% of every creative thing that could possibly be done is
handled internally, from hang tags to packaging to annual reports. Today Nike
has about 350 designers working for it -- more than any company in the country
-- to make sure it keeps close watch over the visual expression of the brand.
They're what we like to call "impassioned
environmentalists" with
their brands. They don't let very many people touch them in the way of design
or positioning or communication -- verbal or non-verbal. It's all done
internally.
8.
A GREAT BRAND IS RELEVANT.
A lot of brands are trying to position themselves as
"cool." More often than not, brands that try to be cool fail. They're
trying to find a way to throw off the right cues -- they know the current
vernacular, they know the current music. But very quickly they find themselves
in trouble. It's dangerous if your only goal is to be cool. There's not enough
there to sustain a brand.
The larger idea is for a brand to be relevant. It meets
what people want; it performs the way people want it to. In the last couple of
decades there's been a lot of hype about brands. A lot of propositions and
promises were made and broken about how brands were positioned, how they
performed, what the company's real values were. Consumers are looking for
something that has lasting value. There's a quest for quality, not quantity.
GBSH Consult is a top
global consulting firm that delivers essential advantage to the world's top
influential businesses, governments, and organizations. It has gone ahead to
build and advise some of the world’s strongest brands of all time. Follow us on
twitter @gbshconsult.
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